{"id":7179,"date":"2020-06-05T18:12:52","date_gmt":"2020-06-05T18:12:52","guid":{"rendered":"https:\/\/citcem2023.citcem.org\/12th-and-14th-ico-session-2019-2020-on-citcems-youtube\/"},"modified":"2020-06-05T18:12:52","modified_gmt":"2020-06-05T18:12:52","slug":"12th-and-14th-ico-session-2019-2020-on-citcems-youtube","status":"publish","type":"post","link":"https:\/\/citcem2023.citcem.org\/en\/12th-and-14th-ico-session-2019-2020-on-citcems-youtube\/","title":{"rendered":"12th and 14th ICO Session 2019\/2020 on CITCEM&#8217;s Youtube"},"content":{"rendered":"<div class=\"news-text\">\n<p>The 12th Session of the CITCEM Research Workshops (ICO) 2019\/20, held on February 21, 2020, had the theme &#8220;<a href=\"https:\/\/www.youtube.com\/playlist?list=PLKq-kiPmlWY8A0-TzDnN_z7nbsv_LJfR7\">Public policies for cinema exhibition: what is changing with digitalization? Notes from a study conducted in Portugal<\/a>&#8220;. Helena Santos was the proponent of this session, which counted with the presentations of Paulo Gon\u00e7alves &#8211;  <a href=\"https:\/\/www.youtube.com\/watch?v=FIADhafZ-0I&amp;list=PLKq-kiPmlWY8A0-TzDnN_z7nbsv_LJfR7\"><br \/>\n  <em>Film screenings in Portugal<\/em><br \/>\n<\/a>; Lu\u00edsa Barbosa &#8211;  <a href=\"https:\/\/www.youtube.com\/watch?v=tzKSonU4p9E&amp;list=PLKq-kiPmlWY8A0-TzDnN_z7nbsv_LJfR7&amp;index=3&amp;t=0s\"><br \/>\n  <em>Alternative cinema exhibition network<\/em><br \/>\n<\/a>Marta Ara\u00fajo Miranda  <a href=\"https:\/\/www.youtube.com\/watch?v=0npM1cjHX_I&amp;list=PLKq-kiPmlWY8A0-TzDnN_z7nbsv_LJfR7&amp;index=4&amp;t=0s\"><br \/>\n  <em>Non-commercial cinema exhibition between 2007 and 2017<\/em><br \/>\n<\/a> and Helena Santos &#8211;  <a href=\"https:\/\/www.youtube.com\/watch?v=0mmIpf09gts&amp;list=PLKq-kiPmlWY8A0-TzDnN_z7nbsv_LJfR7&amp;index=5&amp;t=0s\"><br \/>\n  <em>What are the perspectives for non-commercial exhibition in Portugal and in the European Union<\/em><br \/>\n<\/a><em>.<\/em><\/p>\n<p>The 14th Session of the ICO 2019\/2020, in turn, took place on March 6, 2020 and brought us the theme &#8220;<a href=\"https:\/\/www.youtube.com\/playlist?list=PLKq-kiPmlWY8LnuZqbVn-u_450hgaIPtC\">Heritage and Mediation: heritage education and digital technologies<\/a>&#8220;, proposed by Maria Leonor Botelho. The speakers and respective presentations of this session were Tiago Cruz &#8211; <a href=\"https:\/\/www.youtube.com\/watch?v=aivXquSUF4I&amp;list=PLKq-kiPmlWY8LnuZqbVn-u_450hgaIPtC&amp;index=2&amp;t=0s\"><br \/>\n  <em>Digital design in heritage communication<\/em><br \/>\n<\/a><em>; <\/em>Laura Esteves Pereira &#8211; <a href=\"https:\/\/www.youtube.com\/watch?v=3tVV-FJWtVY&amp;list=PLKq-kiPmlWY8LnuZqbVn-u_450hgaIPtC&amp;index=3&amp;t=0s\"><br \/>\n  <em>Heritage Communication in the Digital Age<\/em><br \/>\n<\/a>; Marisa Pereira Santos &#8211; <a href=\"https:\/\/www.youtube.com\/watch?v=awmM1PQNOIc&amp;list=PLKq-kiPmlWY8LnuZqbVn-u_450hgaIPtC&amp;index=4&amp;t=0s\"><br \/>\n  <em>Vestiges: Photography &amp; Memory<\/em><br \/>\n<\/a><em> <\/em>and C\u00e1tia Oliveira &#8211; <a href=\"https:\/\/www.youtube.com\/watch?v=3ksjOV3cIWs&amp;list=PLKq-kiPmlWY8LnuZqbVn-u_450hgaIPtC&amp;index=5&amp;t=0s\"><br \/>\n  <em>The laboratory space of Heritage Education<\/em><br \/>\n<\/a><em>.<\/em><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong>New videos of the 2019\/2020 ICOs will be posted regularly.<\/strong><\/p>\n<p>+INFO: <a href=\"https:\/\/oiccitcem.wixsite.com\/oficinascitcem\/oic1920\">https:\/\/oiccitcem.wixsite.com\/oficinascitcem\/oic1920<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The 12th Session of the CITCEM Research Workshops (ICO) 2019\/20, held on February 21, 2020, had the theme &#8220;Public policies for cinema exhibition: what is changing with digitalization? Notes from a study conducted in Portugal&#8220;. Helena Santos was the proponent of this session, which counted with the presentations of Paulo Gon\u00e7alves &#8211; Film screenings in [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":6838,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":[],"categories":[242],"tags":[],"ano-noticia":[266],"_links":{"self":[{"href":"https:\/\/citcem2023.citcem.org\/en\/wp-json\/wp\/v2\/posts\/7179"}],"collection":[{"href":"https:\/\/citcem2023.citcem.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/citcem2023.citcem.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/citcem2023.citcem.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/citcem2023.citcem.org\/en\/wp-json\/wp\/v2\/comments?post=7179"}],"version-history":[{"count":0,"href":"https:\/\/citcem2023.citcem.org\/en\/wp-json\/wp\/v2\/posts\/7179\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/citcem2023.citcem.org\/en\/wp-json\/wp\/v2\/media\/6838"}],"wp:attachment":[{"href":"https:\/\/citcem2023.citcem.org\/en\/wp-json\/wp\/v2\/media?parent=7179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/citcem2023.citcem.org\/en\/wp-json\/wp\/v2\/categories?post=7179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/citcem2023.citcem.org\/en\/wp-json\/wp\/v2\/tags?post=7179"},{"taxonomy":"ano-noticia","embeddable":true,"href":"https:\/\/citcem2023.citcem.org\/en\/wp-json\/wp\/v2\/ano-noticia?post=7179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}